A Clear Denial and Explanation from Former Edo State Governor
Godwin Obaseki, the former Governor of Edo State, has firmly denied allegations that he scammed the Oba of Benin, Oba Ewuare II, in relation to the construction of the Museum of West African Art (MOWAA). During a live online interview, he clarified his administration’s intentions and actions regarding the cultural initiatives in the state.
Obaseki emphasized that while his government did not have plans to build a museum, they aimed to create an environment where investments in culture and creative arts could thrive. He explained that the focus was on generating revenue through cultural activities rather than directly constructing museums.
He also refuted claims that he had accompanied MOWAA in seeking funds from donors. Instead, he stated that the Benin Royal Museum was part of a broader plan to develop a cultural district in Benin City, which would include the MOWAA Institute.
The Vision for a Cultural District
Obaseki highlighted the foresight of Oba Erediauwa, who initiated discussions about the return of artifacts long before his tenure as governor. He mentioned that when he took office, he sought to accelerate progress by acting as an intermediary between the palace and the federal government. Between 2017 and 2018, several meetings were held to understand the challenges involved.
In October 2018, Obaseki attended a meeting of the Benin Dialogue Group, the National Council on Museums and Monuments (NCMM), and representatives of the Oba of Benin led by Prof. Gregory Akenzua. At this meeting, he was assured that facilities would be built to accommodate the artifacts. However, he stressed that the Edo State Government never expressed a desire for the artifacts themselves. Their goal was to facilitate their return to attract visitors to the state.
Creating an Enabling Environment
Following the meeting, Obaseki proposed bringing the discussions to Benin. In 2019, foreign experts visited the city and provided insights on how to proceed. As part of their strategy, the state aimed to create an enabling environment for arts and culture.
He cited examples such as the Victor Uwaifo Creative Hub, which transformed an abandoned warehouse into a cultural space. Similarly, the Oba Akenzua Cultural Centre was revitalized to promote drama and acting, its original purpose.
Obaseki also dismissed allegations that funds meant for the Royal Museum were diverted to build MOWAA. He pointed out that the planned cultural district, part of the Benin City master plan, included the Royal Museum alongside other institutions like the Rain Forest Gallery, the 1897 Memorial, and the National Museum.
Supporting Institutions and Trustee Role
Obaseki clarified that his role as governor was to support institutions, not to act as a trustee for MOWAA. He emphasized that the success of these projects depended on the decisions made by the respective organizations.
He recounted the process of setting up a trust involving the National Museum, the Palace, foreign museums, and the state government. The Crown Prince was nominated as a representative, and the Oba gave his blessings. However, the trust faced challenges, particularly after a visit to Germany, which led to the Palace withdrawing from the initiative.
Despite this, Obaseki affirmed that the state would continue to support the development of the Royal Museum, as the Oba had acquired land for the project.
Economic Impact and Future Prospects
Obaseki argued that MOWAA’s success would bring significant economic benefits to Edo State. He noted that the museum had raised over €80 million, far exceeding what the state could afford. His approach was to provide land, an enabling environment, and financial support without using state funds for direct construction.
He emphasized the potential for tourism revenue, stating that the investment would generate local income and reduce dependence on oil revenue. He envisioned a scenario where thousands of visitors would come to MOWAA, boosting the local economy through spending on food, accommodation, and other services.
Obaseki concluded by reiterating that MOWAA was not his personal project but a collaborative effort that benefited the state. He urged Edo people to recognize the value of such investments and move beyond the controversies of the past.
