The Cultural Legacy of SAARC and the Visionary Ajeet Cour
The South Asian Association for Regional Cooperation (SAARC) has always held a special place in my heart, shaped by my deep connections with literature, art, and academia. While it is often viewed as a political entity, for those involved in the creative fields, SAARC represents much more—it is a symbol of cultural identity, artistic continuity, and the enduring spirit of regional cooperation.
The organization’s founding principles emphasized its role as a platform for fostering friendship, trust, and understanding among the people of South Asia. However, the rich cultural tapestry that has bound this region for centuries often takes a backseat to political agendas. This is where the Foundation of SAARC Writers and Literature (FOSWAL) plays a crucial role, providing a space for writers, artists, and thinkers to explore the deeper dimensions of cultural connectivity.
At the 66th FOSWAL meeting in Delhi, from November 9 to 12, I witnessed the vibrant energy of writers from across South Asia, including Bangladesh, Bhutan, India, Maldives, Nepal, and Sri Lanka. Though Pakistan and Afghanistan were notably absent, the presence of Nepali writers added a unique dimension to the discussions. They engaged in various creative activities, such as Bhisma Upreti’s paper on poetry writing, Ritu Raj Subedi’s exploration of ‘cultural connectivity in South Asia,’ and Laxmi Mali’s receipt of the SAARC Literature Award.
Other notable participants included Anita Lama, Deenbandhu Sharma, Bishwa Ram Sigdel, Janu Dhital, and Dhir Kumar Shrestha, who shared their literary works. Bidhan Acharya, Sneh Sayami, and Abhay Shrestha were also present, showcasing the diverse voices contributing to the region’s cultural dialogue.
Ajeet Cour, a 91-year-old Punjabi fiction writer and respected Indian author, is the visionary behind FOSWAL. As its president, she has championed the cause of Track II Cultural Diplomacy, building bridges between artists and writers through literature, folklore, and artistic exchange. Her commitment to this mission has not been without challenges. She faced a male-dominated political landscape and had to carve out her own space in a world that often overlooked women’s contributions.
Cour’s journey has been one of resilience and determination. She has consistently invited writers and influential figures to engage in meaningful discourse. Among those she brought together was Khuswant Singh, a prominent postcolonial Indian writer, and former Indian Prime Minister VP Singh, along with foreign minister Jaswant Singh. Cour’s bold approach was evident when she challenged them, asking, “I have conceived this idea; who is ready to father it?”
Her influence extends beyond literature. Her daughter, Arpana Cour, an accomplished Indian artist, has contributed significantly to the cultural legacy of SAARC. Arpana’s Gandhara Buddha sculpture stands outside the SAARC office in Thamel, Kathmandu. During the Delhi meeting, she showcased her latest work, blending postmodern motifs with traditional Buddhist imagery. Her artistry captivated many, especially her innovative juxtaposition of everyday life with the serene iconography of the Buddha.
Arpana also supports her mother’s initiatives by donating proceeds from her art sales to fund FOSWAL activities. This quiet act of support underscores the deep familial and ideological bond between mother and daughter.
Ajeet Cour’s story is one of passion, perseverance, and purpose. Her work has kept the creative heritage of South Asia alive, reminding us of the power of culture to transcend borders. As we reflect on her contributions, it becomes clear that her vision continues to inspire generations of writers, artists, and thinkers across the region.
