Certainly Larson released a timeless hit in the first year of his new strip. In addition to other recurring themes and humorous elements he introduced in 1980, it’s noteworthy that Frankenstein’s monster was a character Larson frequently returned to after its initial appearance.
Despite his inconsistent and unpredictable appearance, the comedy and details in every appearance he made are definitely worth going back to for their continued humor.
My scar is larger than mine.
We’ll Head Straight into Victory in Every Matchup
“Baby out!” The contrast between the man’s carefree mood and the monster’s artificially put-together body tells a lot. The monster’s quietness creates a funny and subtle moment of visual storytelling.
This might not be one of Larson’s most flashy or complex Frankenstein-inspired comics, but its subtle humor makes it a notable and worthwhile inclusion.
Peek-A-Boo With The Monster
AI Assistant: It seems you’re looking for assistance, but I’m afraid I’m not much help.
This panel puts a fresh spin on the standard laboratory setting. The monster is tied down to a table, nearing the point of revival, when Igor, Frankenstein’s assistant, places a Wolfman doll next to his face, hoping to cause a fright when the monster wakes up. The doctor shows clear frustration with Igor’s actions.
signature absurdity.
Hey, Dr. Frankenstein, No Hands Here!
I didn’t receive a text to paraphrase.
In this scene, Frankenstein’s monster puts aside his usual clumsy nature to show a more carefree side. With his head sitting upright on the floor, he greets his creator with a friendly, “Hi, Doctor.” The doctor, unfazed by the monster’s behavior, reads a newspaper by the fireplace. At the same time, a nearby cat reacts with a fearful hiss.
the boundless diversity of its humor.
The klutz has two left feet.
His bride is currently unaccounted for.
In this lively panel, the monster burst into the dance floor, trying to blend in with the crowd enjoying the live band. However, his enormous size and awkward dance moves ended up with him stepping on his bride’s foot. Her outburst, “Idiot! … You’re standing on my foot,” added an unexpected comedic touch.
Mary Shelley’s monster grapples with rejection and figuring out who he is, whereas Larson’s version has trouble with something as basic as dancing. It’s a more carefree take that takes away the monster’s intimidating image and replaces it with his awkwardness.
A Brain Was Held Up On Its Way Home
Or Was It a Train?
In the panel, the monster lies restrained on the table as Frankenstein, looking visibly frustrated, exclaims, “Curses! … How long does it take Igor to get out and bring back a simple little brain, anyway?”
thives in using both visual and language-based humor.
Late-Night Trips to the Diner Put on Hold Forever
Igor and the Monster Need to Address Their Problems
A scene at a diner, featuring the monster Victor and Igor, starts in the middle of a situation, with events leading up to a heated exchange happening out of frame before reaching the current illustration.
hashing out grievances.
He’d Lose His Head If It Weren’t Handled Carelessly. Wait
There won’t be a problem with the monster losing control next time.
(2003),
Losing something essential like one’s head while the doctor views it as just a minor annoyance underscores how Larson masterfully makes the absurd sound humorous and relatable.
A Seamstress’ Gentle Hand Seamlessly Repairs The Monster Entirely
This one is exceptionally serene and wholesome.
This panel showcases Larson’s blending of everyday life with unexpected elements. The drawing depicts an elderly seamstress repairing Frankenstein’s monster’s head with the precision of a usual quilt-repairing task. Her peaceful demeanor clashes with the humor in her unusual occupation, creating an opportunity for a subtle and quiet laugh.
A unique yet refreshing selection for enthusiasts of the strip.
Lovebirds Were Meant to be Together
The Monster Ties the Knot and Crashes Through a Wall
In this panel, the monster carries his famous bride over the threshold into a “Bridal Suite,” but the door and walls have taken a beating as a result of his enthusiasm. The romantic gesture, juxtaposed with their stitched together bodies and the monster’s supernatural strength, turns a tender moment into hilarious comedy.
.
The Yellow Brick Road Led Them to Bolts-On Animated Creature
Possibly, They’ll Have More Success Further Down The Line.
Making its debut in the first year of the strip, this panel smoothly introduced Larson’s take on the well-known monster, showing a less frightening and more comically practical version of it, with a job assignment that highlighted the creator’s remarkable ability to creatively reinterpret popular culture.
iconic legacy.
